ATLASPOMSKI

Songwriter and producer from Manchester, UK, writing human, lived-in stories about love, heartbreak, desire, family, pressure and the messier parts of real life. Every lyric is written by me, often drawn from personal experience, then shaped into bass-led electronic records with heart.

A lot of my writing comes from a fascination with psychology — particularly what happens to us inside intimate relationships. Attachment, childhood and adult trauma, learned behaviour, environment, temperament, nature and nurture; why we repeat patterns, why we hurt people we love, why we stay, withdraw, control, forgive, return or finally leave.

I’m particularly interested in the darker side of love without reducing people to heroes and villains. When the music touches domestic abuse, coercive control or damaging relationships, the intention is never to glamorise or excuse it. It’s to explore honestly how unhealthy dynamics develop, what they can feel like from inside them, and why recognising them matters.

Born in the ’70s and shaped by nights in Ibiza, Manchester and the UK underground, my sound moves through DnB, jungle, UKG, breakbeat, deep house, hip-hop and deep Afro house — with dub, blues, soul, gospel and trip-hop in the DNA.

The work is producer-led and transparent: human-written, directed and edited by me, with an AI-shaped vocal used as part of the sound world.

Alongside ATLASPOMSKI, I’m developing NOIRÉA — a fictional female vocal presence shaped through production and AI tools, built around deep Afro house, UKG swing, dub pressure, trip-hop shadow and hooks the body can remember.

Human-written and producer-led, with AI-generated instruments and samples and an AI-shaped vocal. No live recordings. Some instrumental parts are also created with AI tools, then selected, arranged and edited by me.

The long-term aim is simple: keep exploring the complicated psychology of being human, keep building musical worlds of my own, and write songs strong enough for real artists. For now, I’m cutting my cloth according to my skills and my wallet. The day I can afford a full band, session singers and an orchestra, they’re top of the list.